PDF copy of this article: ingram-2010-squatting-in-vancouverism1
Ken Lum’s from shangri-la to shangri-la, 2010 site-specific installation, Vancouver, photograph by Gordon Brent Ingram
Part 1 of 3
Public art was part of the 2010 Olympics in Vancouver; there was some funding, some media coverage, and a few sites were transformed. What were the new spaces created and modes [...]
PDF copy of this article: ingram-2010-squatting-in-vancouverism3
Ken Lum’s from shangri-la to shangri-la, 2010 site-specific installation, Vancouver, photograph by Gordon Brent Ingram
part 2 of 3
fragment of Stan Douglas’s “Abbott and Cordova, 7th August 1971″ (2009) Inkjet in Laminate Glass photograph by Gordon Brent Ingram
Public art and community memory under Vancouverism
So how can public art [...]
PDF copy of article: ingram-2010-squatting-in-vancouverism
Ken Lum’s from shangri-la to shangri-la, 2010 site-specific installation, Vancouver, photograph by Gordon Brent Ingram part 3 of 3
The multiplicity of publics in Vancouver’s public art: Coming Soon?
One of the first conversations of the kinds of difficult choices that will be necessary [...]
“Spatial forms are social structures…Space, severed from its social production, is thus fetishized as a physical entity and undergoes, through inversion, a transformation. Represented as an independent object, it appears to exercise control over the very people who produce and use it. The impression of objectivity is real to the extent that the [...]
Saturday, November 21, 2009
PDF copy available: ingram-11-2009-bad-things-in-the-biosphere1
There have been bad things threatening human communities since people have tried to get along. The line between natural menaces and human hubris is the stuff of culture and stories in particular. There are human threats, sins such as avarice, and then natural threats such as from hungry beasts. Lately the pantheon [...]
Since the first cities, public space has been a mash-up of art and advertising, fun and high culture, and remembering and forgetting. Many of the cultural (and political) stories and messages of communities, especially their elites, are transmitted through how public art and memorial works fits into and transforms adjacent urban space. So the environmental, [...]